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Stephen Marr was born and
raised in a tiny coastal village, Yamba, on the north coast of NSW Australia in
the fifties and sixties, an environment he describes as, "saturated with poetic
imagery and wonderful characters, half the town was drunk before noon". He
vividly remembers drawing with sticks in the sand, barefoot in the one room
school and his first teacher encouraging his drawings of trawlers heading out to
sea surrounded by sharks:"It was the age of "do it yourself". Toys were made out
of sticks and tin cans. Mum sewing clothes, curtains and furnishing covers, Dad
the oyster farmer, making boats and countless other practical objects".
After graduating from The
National Art School Newcastle, Stephen travelled extensively through Asia and
was astounded by the “living art” he encountered there, in the painting and
carving that decorated houses and boats, to the most banal of objects. He
returned to Australia inspired to build a simple, alternative energy houses in
the bush, with his bare hands and one chainsaw. Setting up a kiln and pottery
and teaching ceramics at the technical college in Grafton, he managed to scrape
together the finances he needed to finally make the move to the big smoke. To
support himself whilst continuing to work on his art, Stephen became involved in
the film industry. All the years he spent building his own dwellings, while
drawing and painting, made him a natural as an art director. He began to work in
America as a production designer and was soon directing projects both in
Australia and overseas. The death of his father Marr describes as, "a wake up
call, a reminder of how short a life is, I found that I had a very personal
story to tell and I began to paint this story using all the skills I had been
accumulating through my life".
In 2000, the first major
exhibition of Stephen Marr's work was held at Newport Artworks, Newport Beach,
Sydney, where he created a fictional setting with a series of lyrical images and
objects. The show was a sell out. His story telling style resonated with other
peoples' life stories and a steady following grew on the Northern Beaches. In
2001, he exhibited at Raglan Gallery in Manly coinciding with the Manly Arts
Festival. The images in this show deeply reflected Marr's desire to express time
and memory in a narrative style. In December 2004 his Manly Regional Gallery
show entitled, Oceanic Phantascope, drew crowds of people visiting Sydney on
holidays from countries all over the world, comments in the visitors book
expressing, "the work had the effect of eliciting memories of long forgotten
familiar places and events". In 2006, Stephen's solo show, "Listening to
Cicadas", was shown at Wallspace Gallery. The work in this exhibition built on
the themes that have driven Stephen Marr's artistic expression. Joyously infused
with light and colour, Marr's paintings tempt us to smell the sea, touch the
crumbling walls and listen to the rising chorus of cicadas. Building on this
narrative, Stephen began incorporating individually carved and painted wooden
frames that serve as both the canvas and frame for many of his paintings. These
stages were integral to the work and added a sculptural element to the images.
2007 saw Stephen head down producing new work for solo exhibition “On a Wing and
a Prayer” at Wallspace with one piece becoming a finalist in the Willoughby Art
Prize. He also provided work for Lotus Outreach a charity for at risk children.
The concept of merging painting and sculpture and the inherent metaphors of
braking barriers both physically and psychologically, and intersections in time
and space, become the foundation for his work. This concept was partially
developed in his entry for Sculpture By The Sea 2008. He received the Tom Nelson
Subsidy for work addressing social justice and exhibited in the accompanying
Sculpture Inside exhibitions. In 2008, 2009 & 2010 Stephen expanded his
involvement in sculptural techniques with work being shown at Sculpture by the
Sea in Bondi and Cottlesloe. His large figure “The Drifter” was purchased by the
Melville City Council, Western Australia. His figurative sculpture “the
Crossroad” was selected for 2010 SXS Bondi.
STEPHEN
MARR CURRICULUM VITAE. 2010
1952
Born Maclean NSW Australia
1957-70
Yamba Primary School Maclean High School
1971-75
National Art School Dip. Art Ed. Newcastle NSW
1977
Designed and hand built 1st house Tullimorgan NSW
1978
Ceramics teacher Grafton Technical College NSW
1979
Designed and hand built 2nd house Palmer's Island NSW
1980
Established Pottery at Palmer's Island
1981
Painting Drawing Pottery
1982
Moved to Sydney / Drawing and pastel drawing Exhibition
Oxford Gallery, Paddington
1983
Assistant Art Director. Winners Children Series for
television
1984
General art production for film and television
1985
Art Director. Return to Eden television series
1986 Production Designer. Young Einstein
1987
Freelance Production Designer
1988-91
Established Machine Age Art P/L facility for Film Design and Art
Production design in USA & Australia
1991
.Directing TV Commercials in USA
1992-00
Directing and design TV commercials Internationally. Design and built
3rd house Newport Beach Sydney. Solo Exhibition Painting and Sculpture Artworks
Gallery Newport
2000-03
TV Direction Internationally
Painting –Commissions and gallery supply
2003
Solo Exhibition Paintings Raglan Gallery Manly
Affordable Art Show Sydney
2004
Solo Exhibition Manly Regional Gallery “Oceanic Phantascope”
2005
Supplying galleries and private sales
2006
Solo Exhibition “Listening to Cicadas” Wallspace Gallery
2007
Solo Exhibition “On a Wing and a Prayer” Wallspace Gallery
Paintings for Lotus Outreach Foundation Fundraising
Finalist Willoughby Art Prize “The Case Of The Homesick
Cocky”
Affordable Art Show Sydney
Workshops with Northcotte Arts Project
2008
“We Love 3D” Display. The Studio. Sydney Opera House
Sculpture By The Sea Bondi
Sculpture Inside (SxS) Bondi
2009 Sculpture By The Sea Cottesloe WA Sculpture Inside .
Cottesloe WA
2010 Group exhibition “In Paradise” Manly Regional Gallery
Sculpture Inside (SxS) Cottesloe WA |